This kind of detail probably came about because the creative team were women! There are challenging aspects to the novel, which we needed to approach carefully, particularly a sequence when Diana is tortured by another female witch, Satu. Diana only has two coats that she wears throughout the whole season. For example we decided we shouldn’t give her endless costume changes.
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We thought a great deal about how to keep Diana relatable. The marvelous Teresa Palmer imbues her with charm and intelligence. We wanted women to empathize with her in the show, even though she is magical, powerful, and extraordinary. Can you talk a bit about the experience of working on a project that has those attributes and how they connect to each other?īROOKE: In the book, Diana is a magnificent heroine. To find out more about the brewing Witches success, Deadline caught up with Brooke, the show’s executive producer and writer.ĭEADLINE: The creative team for the series is led by women and the story is built around a powerfully capable but refreshingly complicated woman. AMC reports that Sundance Now also enjoyed a 30% spike in subscriptions in the weeks leading-up to the series premiere.
The series delivered some much-needed magic for the premium platforms, too: A Discovery of Witches set a Sundance Now record for most views and accounted for more than half of the platform’s streaming activity. With strong reviews, plans are already ramping for both Season 2 and Season 3 which will follow the same rollout recipe that was used for Season 1, which premiered back in January on Sundance Now and Shudder, AMC’s two streaming services. Shudder Takes North American, UK-Ireland Rights To Horror Thriller 'You'll Never Find Me'
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